Tauba Auerbach

Tauba Auerbach | untitled (fold) ? - detail | oil on canvas
source: Exhibition a

Charline Von Heyl

Charline Von Heyl | 2009 | Black Stripe Mojo | acrylic and oil on linen | 208 x 183 cm
source: Petzel

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Charline Von Heyl | 2008 ?
source: Contemporary Art Daily

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Charline Von Heyl | 2009 | Woman #2 | acrylic, oil and charcoal on linen | 208 x 198 cm
source: Bombsite

Simon Ling

Simon Ling | 2012 | untitled | oil on canvas | 121 x 90 cm
source: ex-chamber memo (overseas) 5

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Simon Ling | 2012 | untitled | oil on canvas
source: ex-chamber memo (overseas) 5

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Simon Ling | 2012 ? | oil on canvas ?
source: Contemporary Art Venues

Gillian Carnegie

Gillian Carnegie | 1999-2000 | Blue Cheer | oil on canvas | 170 x 213 cm
source: Andrea Rosen Gallery

Ellen Altfest

Ellen Altfest | 2005 | Tumbleweed | oil on canvas | 107 x 132 cm
blurb: Working from life rather than photos, Ellen Altfest’s paintings exude an experiential quality: capturing the transference the impact of looking as it becomes imprinted in memory, she replicates her personal engagement with the objects as a tangible sensation on her canvas. Tumbleweed offers a cosmos of this ethereal state. Stranded between representation and intuitive painterly indulgence, Altfest proposes a vision of quiet contemplation, rendering a bewildering beauty from the study of the simplest things.
source: Saatchi Gallery

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Ellen Altfest | Two Logs | 2005 | oil on canvas | 48 x 71 cm
blurb: Ellen Altfest’s Two Logs mesmerises as a feat of monumental concentration. Bordering on abstraction, her still-life becomes lost in its own representation, each detail independently captured becomes a reverie of its reproduction in paint. Consumed by the making, Altfest uses her simple subject as a departure into an inner consciousness, allowing her gestures to form as unmediated psychological response to the scene. Flirting between reality and dream state, her work conveys an impalpable ambience through the luxurious materiality of her surfaces.
source: Saatchi Gallery

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Ellen Altfest | The Tree | 2001 | oil on canvas | 152 x 114 cm
source: Saatchi Gallery

Josephine Halvorson

Josephine Halvorson | 2012 | Gun Holes | oil on linen | 38 x 48 cm
source: Josephine Halvorson

Josephine Halvorson | 2010 | Sign Holders | oil on linen | 102 x 76 cm
source: Josephine Halvorson

Josephine Halvorson | 2011 | Grippers | oil on linen | 46 x 26 cm
source: Josephine Halvorson

Jutta Koether

Jutta Koether | 2009 | Lux Interior - Performance with Hot Rod (after Poussin)
source: Reena Spaulings Fine Art

Nicole Eisenman

Nicole Eisenman | 2011 | The Drawing Class | oil and charcoal on canvas | 1.7 x 2.1 m
source: Frieze Magazine

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Nicole Eisenman | 2007 | Beasley Street | oil on canvas | 165 x 208 cm
source: Saatchi Gallery

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Nicole Eisenman | 2007 | Beer Garden at Night | oil on canvas | 165 x 208 cm
source: Saatchi Gallery

Milena Dragicevic

Milena Dragicevic | 2008 | Supplicant 13 | oil on linen | 61 x 57 cm
source: Escape Into Life

Vitamin P2 artists

Here are the names of (114 out of 115) of the artists in the book "Vitamin P2: New Perspectives in Painting", by Julia Hastings (courtesy of Maryland Institute College of Art).

Nina Chanel Abney
Richard Aldrich
Ellen Altfest
Hurvin Anderson
Juan Araujo
Tauba Auerbach
Karin Mamma Andersson
Jules de Balincourt
Antonio Ballester Moreno
Tilo Baumgartel
Hernan Bas
Michael Borremans
Mark Bradford
Kerstin Brätsch
Lisa Brice
Rafal Bujnowski
Stephen Bush
Varda Caivano
Brian Calvin
Gillian Carnegie
Sarah Crowner
William Daniels
Noah Davis
Philippe Decrauzat
Benjamin Degen
Kaye Donachie
Pierre Dorion
Milena Dragicevic

Thomas Eggerer
Nicole Eisenman
Ida Ekblad
Zhang Enli
Michael Fullerton
Wayne Gonzales
Adrian Ghenie
Mark Grotjahn
Wade Guyton
Josephine Halvorson
N. S. Harsha
Richard Hawkins
Carmen Herrera (abstract)
Charline Von Heyl
Alex Hubbard
Jacqueline Humphries
Nathan Hylden
Merlin James
Xylor Jane
Jia Ailli
Magdalena Jitrik
Chantal Joffe
Chris Johanson
Jitish Kallat
Maki Na Kamura
Jacob Kassay
Khalif Kelly
Martin Kobe
Jutta Koether
Tomasz Kowalski
Makiko Kudo
Stefan Kürten
Li Dafang
Li Shurui
Li Songsong
Liang Yuanwei
Liu Xiaodong
Marcin Maciejowski
Tala Madani
Nalini Malani
Victor Man
I Nyoman Masriadi
Birgit Megerle
Dianna Molzan
Katy Moran
Kristine Moran
Justin Mortimer
Farhad Moshiri
Surendran Nair
Odili Donald Odita
Paulina Olowska
Silke Otto-Knapp
Christopher Orr
Alessandro Pessoli
Jon Pestoni
Vitaly Pushnitsky
R. H. Quaytman
Blake Rayne
Clare E. Rojas
Sterling Ruby
Christoph Ruckhäberle
Serban Savu
Maaike Schoorel
Dana Schutz
Raqib Shaw
Amy Sillman
Anj Smith
Josh Smith
Glenn Sorensen
Neal Tait
Mickalene Thomas
Padraig Timoney
Alexander Tinei
Phoebe Unwin
Lesley Vance
Pieter Vermeersch
Kelley Walker
Wang Xingwei
Corinne Wasmuht
Matthias Weischer
Andro Wekua
Wendy White
Katharina Wulff
Lynette Yiadom-Boakye
Luiz Zerbini
Jakub Julian Ziolkowski

Towards atemporality in news reports

The way in which news reports place events within time can shift emphasis away from the temporal - events as they unfold; towards the atemporal - the invariant structures underlying events.

Cathy Curtis on writing for the web

Help readers scan. Use subheadings to break up text. Use em-dashes to break up large sentences. Write plainly and transparently. Organise website and webpage in a visually logical way.

Ross Racine on digital drawing and his depictions of urban structure

Digital drawing allows flexibility and speed, and an ambiguity between drawing and photography.

William Gibson on recombinants (collage, cut-ups, remixes, mash-ups)

Gibson promotes recombinants - where samples of various works are cut out of found compositions and recombined in new works. With recombination, meaning becomes a matter of adjacent data, of relationships between elements of data. The process of recombination is becoming more important than the object (the record, the product) thereby created at a given moment.

Last modified: 2011-3-24